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In 1985, Bluth, Pomeroy, and Goldman established, with businessman Morris Sullivan, the Sullivan Bluth Studios. Īn adaptation of Beauty and the Beast was also planned to be directed by Bluth in 1984, but the project was canceled by Columbia Pictures upon discovering that Walt Disney Pictures had plans for their own adaptation. A sequel called Dragon's Lair II: Time Warp was made in 1991, but it was rarely seen in arcades. Bluth's studio was left without a source of income and the Bluth Group filed for bankruptcy on March 1, 1985. Work on a Dragon's Lair sequel was underway when the video arcade business crashed. Bluth not only created the animation for Space Ace, but he also supplied the voice of the villain, Borf. This was followed in 1984 by Space Ace, a science-fiction game based on the same technology, but which gave the player a choice of different routes to take through the story. In 1981, he, Rick Dyer, Goldman, and Pomeroy started the Bluth Group and created the arcade game Dragon's Lair, an on rails game which let the player choose between simple paths for an animated- cartoon character on screen (whose adventures were played off a LaserDisc). His next film would have been an animated version of the Norwegian folk tale East of the Sun and West of the Moon, but the financial resources were drawn back and it was never made. Nevertheless, due to the modest gross and an industry-wide animation strike, Don Bluth Productions filed for bankruptcy. Later, with the home video release and cable showings, it became a cult classic.

DOODLE DEVIL GAME MOVIE

Though only a moderate success in the box office, the movie received critical acclaim. Bluth employed 160 animators during the production and agreed to the first profit sharing contract in the animation industry. The studio's first feature-length film was The Secret of NIMH (1982). To this end, Don Bluth Productions demonstrated its ability in its first production, a short film titled Banjo the Woodpile Cat, and this led to work on an animated segment of the live-action film Xanadu (1980). On his 42nd birthday in 1979, Bluth resigned from the studio to establish his own animation studio, Don Bluth Productions, along with Gary Goldman, John Pomeroy, and nine fellow Disney animators. During production, creative differences between Bluth and studio executives had arisen concerning artistic control and animation training practices. Independent years Early critical success įor The Fox and the Hound (1981), Bluth animated several scenes of the character Widow Tweed. Meanwhile, he produced his first independent film, Banjo the Woodpile Cat. His last involvement with Disney was the 1978 short The Small One. He then worked as an animation director on Pete's Dragon (1977). During production on The Rescuers (1977), Bluth was promoted to directing animator alongside the remaining members of Disney's Nine Old Men. For Winnie the Pooh and Tigger Too (1974), he animated Rabbit alongside John Lounsbery. His first project was Robin Hood (1973), in which he animated sequences of Robin Hood stealing gold from Prince John, rescuing a rabbit infant, and romancing Maid Marian near a waterfall. In 1971, he returned full-time to Disney as an animation trainee. In 1967, Bluth returned to the animation industry, and joined Filmation working on layouts for The Archie Show and Sabrina the Teenage Witch.

īluth returned to college and earned a degree in English literature from Brigham Young University. He returned to the United States where he opened a local theater in Culver City, producing musicals such as The Music Man and The Sound of Music. For two and a half years, Bluth resided in Argentina on a mission for The Church of Jesus Christ of Latter-day Saints. In 1957, Bluth left Disney, recalling he found the work to be 'kind of boring'. Afterwards, in 1955, he was hired by Walt Disney Productions as an assistant to John Lounsbery for Sleeping Beauty (1959). There, Bluth attended Brigham Young University in Utah for one year. In 1954, his family moved to Santa Monica, California. Bluth has stated that he and his siblings do not communicate with each other as adults. At the age of six, his family moved to Payson, Utah, where he lived on a family farm. Bluth later said, 'then I'd go home and copy every Disney comic book I could find'. Īs a child in El Paso, he rode his horse to the town movie theater to watch Disney films. He is of Swedish, English, Irish, Scottish, and German descent. Romney and great-grandfather of Mitt Romney. His maternal grandfather was Rey Pratt from the Pratt family, whose own father Helaman Pratt was an early leader in The Church of Jesus Christ of Latter-day Saints as well as a grandfather of George W. Bluth was born in El Paso, Texas, to Emaline (née Pratt) and Virgil Ronceal Bluth.

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